Tikkun Olam (1980)
Jan 21, 2021 by Marlene Wagman-Geller
In the olden, perhaps more golden days, the colors associated with October were the yellow and red of autumnal leaves, gourds of orange. The month is also related to pink, the favorite shade of a woman who succumbed to a dreaded killer.
Is There Still Sex? (1994)
Jan 18, 2021 by Marlene Wagman-Geller
Before the four female Musketeers cut a swath of men, money, and Manolos in Manhattan, there was the real-life party girl who used her nightly escapades as fodder for her column. While the sexual anthropologist is not as famous as her fictional alter ego, she nevertheless experienced her fair share of beddings, breakups, and B.F.F.s.
“Love’s the Lamb” (1830)
Jan 13, 2021 by Marlene Wagman-Geller
The crown jewel of the nursery rhyme treasure chest is the tale involving a schoolhouse prank. The nineteenth-century story also encompasses three eminent Americans: the journalist who established the national holiday of Thanksgiving, the creator of a classic car, the scientist who invented the phonograph. Behind the tapestry was a young girl and her beloved pet.
“Artist Laureate” (1930)
Jan 11, 2021 by Marlene Wagman-Geller
The painting, American Gothic, is as emblematic of America as the bald eagle, the stars and stripes, and the Statue of Liberty. Yet many would be stumped as to the identity of the man and the woman who stand in front of the country’s second most famous white house.
Roe v. Roe (1973)
Jan 08, 2021 by Marlene Wagman-Geller
If one were to name a Supreme Court ruling, chances are the answer would be Roe v. Wade. However, if questioned as to the identity of the anonymous plaintiff, many would draw a blank. The flesh-and-blood Roe was as complicated as her judicial namesake.
“Ef You Don’t Watch Out” (1886)
Jan 04, 2021 by Marlene Wagman-Geller
Oliver Twist is British literature’s most endearing orphan; America’s counterpart is Orphan Annie, the little girl who went on a quest for her missing mother and father. The difference between the two is while Charles Dickens based his novel on a fictional boy, James Whitcomb Riley based his poem on an actual girl.
A Tale of Two Cities (1835)
Dec 30, 2020 by Marlene Wagman-Geller
Only under one roof can guests rub elbows with the game-changers of history: the artists and activists, the saints and sinners. And fascinating as the lives of these individuals may be, the most intriguing member of the gathering is its hostess.
As If Alive (1903)
Dec 26, 2020 by Marlene Wagman-Geller
If these walls could talk what a tale they would tell, and if a Viennese painting could do likewise, it would serve up a bouillabaisse of genocide, moguls, and love. The iridescent canvass, Lady in Gold, is a world-renowned icon, but through artifice, the identity of the raven-haired woman in the portrait vanished.
Dec 23, 2020 by Marlene Wagman-Geller
While the Italian Mona Lisa’s enigmatic smile has beguiled the ages, the American Mona Lisa’s formidable expression hints of a woman who held little patience for humor. The Victorian painting is entitled, Arrangement in Grey and Black, No. 1, though its colloquial name is Whistler’s Mother. The elderly lady’s prim clothes and staid pose hints at one who did not spend her years whistling Dixie.
Must Go On (1947)
Dec 21, 2020 by Marlene Wagman-Geller
Cats, The Lion King, Hamilton share a commonality other than being immortal musicals: they all won Broadway’s highest accolade: The Tony. But who was the namesake behind theater’s most coveted prize?
Dec 16, 2020 by Marlene Wagman-Geller
In the 1939 classic, The Wizard of Oz, an orphaned girl wistfully sings of a magical world, one far afield from her sepia-colored Kansas farm. Metro-Goldwyn-Mayer based the film on the novel by L. Frank Baum, the wizard behind America’s first fairy-tale. Tragically, the non-literary Dorothy never experienced the land over the rainbow.
Beloved Boy (1885)
Dec 08, 2020 by Marlene Wagman-Geller
The Stanford University seal is the image of a tall tree, the el palo alto, the famous redwood (literally, “tall stick”), the year 1891, and the name Leland Stanford Junior University. Along the inner circle is the German motto, Die Luft der Freiheit Weht, The Wind of Freedom Blows. However, the wind also held a tale of a robber baron, unspeakable grief, and murder.
Raymond’s Secret (1977)
Nov 30, 2020 by Marlene Wagman-Geller
Ancient Greece gave us mythological creatures such as the centaur - man and horse, the satyr - man and goat, the Minotaur - man and bull. And twentieth century America gave birth to a new hybrid: Amazonian and Angel.
“It’s Swell!” (1959)
Nov 22, 2020 by Marlene Wagman-Geller
Who-in the vein of Cher, Madonna, and Giselle-is known only by first name? Who is approaching her sixth decade without a hint of celluloid, loss of pigment, nary a wrinkle? Who has enjoyed a half century long dalliance with her boy-toy?
The Cheek of Time (1652)
Nov 15, 2020 by Marlene Wagman-Geller
When flowers, chocolates, and Hallmark do not convey the depth of devotion, inspiration can be drawn from legendary lovers. The German Richard Wagner composed for wife Cosima the symphony, “Siegfried Idyll.” The Russian Tsar Alexander III presented his Tsarina the original Fabergé egg. Welsh actor Richard Burton gifted Elizabeth Taylor the fifty karat La Peregrina pearl that had once graced the finger of Mary I of England. However, for romantic flourish one can turn to the gesture of a Mogul emperor.
The Enigma (1503)
Oct 25, 2020 by Marlene Wagman-Geller
In Shakespeare’s play Antony and Cleopatra, Antony said of Cleopatra, “Age cannot wither her, nor custom stale/her infinite variety.” While the Roman general was waxing poetic on the Egyptian queen, his words aptly apply to an Italian woman whose allure has proved timeless. Who was the lady who ended her days in a convent, hung in Napoleon’s bedroom, and was the subject of an international manhunt?
The Looking Glass (1865)
Oct 17, 2020 by Marlene Wagman-Geller
“Curioser and curiouser,” Alice cried as she tumbled down the rabbit-hole. Her words summarize the relationship between an Oxford mathematics professor and his child muse.
A Feminist Manifesto (1942)
Oct 10, 2020 by Marlene Wagman-Geller
“When Johnny comes marching home again/Hurrah! Hurrah!” The lyrics originated from a Civil War song that welcomed the soldiers returning from the Civil War. During World War II, when the men left for Europe, it led to another “Hurrah!” This time it was for the women who traded aprons for overalls, exchanged frying pans for drills.
Oct 04, 2020 by Marlene Wagman-Geller
In 1970, the quintessential hippie, Janis Joplin, crooned, “Oh Lord won’t you buy me a Mercedes Benz…” In all probability, Joplin did not know the strange story that lay behind the iconic car, that the christening involved an insidious irony.
As Time Goes By
Sep 29, 2020 by Marlene Wagman-Geller
In Casablanca Dooley Wilson crooned, “You must remember this/A kiss is just a kiss…” However, in one occasion, a kiss became an iconic image of the 20th century.